The Beckoning of Hope

Marjorie McKee
The Beckoning of Hope by Michael Burton adapted by Marjorie McKee for solo actor, from Michael Burton's "It's not permitted to Hope"

A play in four movements. A solo performance with live accompaniment on cello by Sebastian Morgan-Lynch, directed by Andrew McKenzie from an original concept by L'hibou Hornung.

Phew, so many names for a solo show. That is theatre. A solo show is never a solo show. Marjorie McKee embodied two characters: Nadezhda Mandelshtam, widow of the Russian poet Osip Mandelshtam and Becky, a "Western" woman; "a stupid Western Woman," as Nadezhad refers to her in a voice over, admonishing her attempts to write anything worth while since she will never be able to come of anything because she and her country has not suffered enough. But she has, for who can know how much any one person suffers, it is not for others to judge. Toward the end Becky writes her poem on the floor in chalk white, a beautiful testament to her belief in herself, she is enough.

McKee played each character throughout the performance, individually and with strong conviction to living a full life and writing; both women struggle with memory, their writing, and the men, both real and some perhaps imagined. One director's choice of Nadeshda moving down stage placing her husband's poetry on the floor as she moved towards us, blessing it with water from a crystal bowl was very engaging. Marjorie McKee can probably play any role, her performance was simply flawless.