Monday, November 24, 2008

Thanksgiving Week

So much to be thankful for. Back in the USA visiting family down south and watching the tube for the latest news. Politics is the big story. No one can find any fault with President-elect Obama.

In the midst of watching Obama on TV it is clear what an intelligent and dignified President he will be.

Contrast this with the failed VP Republican Sarah Palin who as Governor of Alaska recently gave a press conference while a turkey was slaughtered behind her. She ended the interview with a smirk and a comment that the press will probably find some fault with it. -- As if torturing animals should not be questioned. Nothing is lower than people who torture those who cannot speak for themselves. And those who take pleasure in it? There is something seriously wrong with the education of the American people. The corporations are getting a bailout for greedy faulty investments. Nothing can bailout the poisoned mind that enjoys hurting others.

Monday, November 10, 2008

Looking for an Apartment in New York



I sublet my Manhattan apartment and the sub letter stole it. So now I'm starting over again.

Looking for an apartment in new york city has been a daunting experience. People who have overpriced dumps are loosing roommates and want a new one to share the love. After looking for a few weeks I know what I want and don't want: I want light, clutter free space with a window that doesn't, 1. have bars, 2. look out on a wall, 3. look out on a roof, all of which I have lived with in the past.

Checking out shares is interesting too. Some apartments have no living/shared space. Just kitchens with rooms next to the kitchen for sleeping.

After house sitting in beautiful apartments in Queens and Brooklyn and visiting friends in Manhattan who respect the space they live in, it is harder for me to compromise. I miss what I left three years ago, a beautiful apartment on the lower east side, on a high floor. I subleased my apartment to a friend of a friend, who promised to return my apartment to me when I returned to New York. So it goes.

The thief is a real estate agent --, oh ironies of irony.

Sunday, November 09, 2008

Halloween 2008

My favorite costume at the Theatre for the New City Party

Reuben as President George W Bush in college



and not to be outdone, this dog was stealing hearts on Avenue A.

Saturday, November 08, 2008

Tears for New Zealand

national party wins in new zealand

New Zealand just elected John Key, (self made millionaire) of the National Party, an extreme right winger who wants to bring in nuclear energy, send troops to Iraq, create more private investing, and cut back on all the layabouts (social services) including health care. Hey, this sounds like the last administration in the U.S. He said New Zealanders want a safer NZ (code for you know what)


While living in NZ I witnessed two campaigns for Prime Minister, 2005 and 2008, although more low key than the US, the drama was high in 2005 because Don Brash's campaign money came from the Exclusive Brethren, a right-wing Christian organization, and personal consultations on how to campaign from George Bush's advisers. When these things were discovered, they were denied (and later proven true) National lost in 2005.

Although I found it understandable that while I lived in New Zealand people were quite rabid haters of George Bush, (as in: "...there's enough of you bloody amerians here already!") it is perplexing now why they have virtually elected him to run their country.

Wednesday, November 05, 2008

And for the animals


My heart cannot take so much goodness!

Just as important as who we voted for President, California was also voting for the humane treatment of animals.

California said no to the torture of animals raised for food. Proposition 2 passed by more than 62% of the people (and we know that 62% are not vegetarians!). Could it possibly be a new compassionate age? Proposition 2 will put an end to the inhumane confinement of animals on factory farms. And so we unite in the belief that all animals deserve humane treatment, even those of us who are raised for food. Hooray!

The New President-Elect Obama

When I left NZ a few weeks ago, people on both sides of the sea wondered about my return to one of "America's worst of times..."
....but it looks like I've come back to America's best.

Perhaps the next time I travel abroad non-Americans will be more generous in their judgment of and hatred towards the American people.
It looks very optimistic indeed.

People are saying they knew Obama would win and at the same time they are saying they can't believe it.

It's going to be very interesting. We owe a huge debt to those who were killed in this country by Americans just because of the colour of their skin. It feels hopeful.

Saturday, October 25, 2008

Back in the USA


Back in New York

Only a week and already, I'm in the New York groove, walking on the wrong side of the sidewalk saying 'excuse me excuse me' wherever I go. I forgot how many people can be crammed into a subway car, how many people can line up at an ATM, and the abundance of fresh fruit and vegetables from upstate New York at the Union Square Farmer's Market took my breath away -- heads of green and red lettuce $1.25 and apples $1 to $2 a pound. I bought 8 organic plums for $1.50 and an organic loaf of grain bread with no sugar or dairy for $3.75!

Although I don't have a view of the sea, the amazing diversity of the people here is a view I have missed. The first thing I noticed when I got off the plane at JFK was black people!!! I only knew one American black person in Wellington. Now I'm an Obama volunteer and will help with the campaign to be sure we have a president and vice president who will not turn back the rights of women that were fought for so hard by so many before, or turn their back on ALL the people.

It's good to be back and see everything new again.

There has been little time to blog, since I don't have a home or internet service, but the cafe I'm in at this moment, roots & Vines on Grand Street, offers the service free along with delicious coffee and only $2.00!

Thursday, October 02, 2008

Your Dream Home


For a million dollars, or two, you can live here









and share your beach with SUV's (when the tide is out)

photos shot from a look out point, Wellingtons Beach, Whangarei

According to recent news items in the press, there is crises in New Zealand. Its coastal shores are in danger because of erosion from the usual suspects: over development runoffs from timber, building, sheep, cows, and the weather and god's will according to some religious groups. But one thing the NZ Government will not do is ban cars from the beach because it's a Kiwi tradition. But they are asking people to not be assholes when using the beach. Tell that to the birds who are loosing their habitat.
And
(what you can't see is what I could: I was close enough to houses on my left to see into their kitchens and bedrooms....)

Saturday, September 20, 2008

Wild Green Yonder - Great Book on Woofing


"The Wild Green Yonder: Ten seasons volunteering on New Zealand's organic farms," by Philippa Jamieson. New Holland Publishers (NZ) Ltd., 2007 (www.newhollandpublishers.co.nz)

The Wild Green Yonder is a personal story and an introduction to organic farming in New Zealand from a Woofer's point of view. A woofer is someone who lives on a farm and in exchange for four to five hours of work a day, receives room and board while learning about organic farming. It's also a way some foreigners choose to travel through New Zealand.

Traveling from her home base in Dunedin in the South Island, Philippa Jamieson, a vegetarian who was already familiar with an organic lifestyle and the importance of sustainable farming for the future of New Zealand and planet earth, wrote this book while traveling all over the country.

I enjoyed the book and as a vegetarian myself I was curious how others see their lives in relation to this choice. (Most consume dairy as part of their diet, but the pros and cons of how some farmers use animals is not part of this essay.) This book is well written and lively. As a non-New Zealander though I had to look up some flora and fauna definitions to understand what I was reading about. Gorse is a universal weed and I learned that left to it's own, gorse actually protects native bush. It's the human interferences with weeds that have created the (global) mess it is today.

I also learned that organic is never pure, not anywhere. Just like buying pollution points to continue to pollute, you can get a way with some non-organic practices according to organic regulations. It's disturbing that we are already over the brink and nothing is 100% organic today. If you are looking for an adventure, woofing is a way to discover New Zealand and meet-- according to Philippa -- wonderful people who also cook delicious meals -- and also serve lots of wine. For some reason, Philippa stayed with people who seemed to drink a lot.

The book makes the reader very conscious of where our food comes from. For instance, one farmer uses seaweed for fertilizer, which he buys from Canada. It is impossible to fathom why seaweed has to be imported to a country surrounded by the sea.

Maori had to be the first farmers in New Zealand but they are not mentioned in the book. Either they don't own any organic farms or Philippa did not visit them. The majority of owners seem to be German. There is a large population of Germans in New Zealand as residents and tourists both. (I'm writing this from a tiny sea-town in the North Island called Ngunguru; the local motel down the road has a sign out front: "Die Speiche Deutsche.")

There are plenty of stories about the people the food and traveling that keep this book an enjoyable read. It's also a great guide to woofing and the farms that are listed who are registered as woofer friendly. It may, like for me, make woofing look very attractive; but be warned, it could bring on changes to your sexuality, like it did for Phillipa -- but you'll have to read the book to find out the details about that.

Friday, September 19, 2008

First We Kill The Critics



In these uncertain economic times everyone's asking:

What will happen to art?

If it means the death of critics,
then at least some good will come of it.

Wednesday, September 10, 2008

Palin is like a New Car - Lipstick on a Lemon is still a Lemon


A Riff on Sara Palin
Lipstick on a Lemon is still a Lemon

As told to me by an anonymous man:

Sara Palin is like a new car.
You see her in the lot and she looks really good.
Paint job is real shiney and she smells good too.
Turn the key and she revs up, blasting a nice sound.
She idles like a purring cat.
You take her for a test run, she seems okay.
Is she affordable?
Are there any hidden costs? What comes with her price and what is optional?
And, what if you need to go on a long trip, is she ready?
Could she be a lemon?
Could she be recalled?
When the warranty is up, are you stuck with her?
Will you be able to get rid of her? Or will you be stuck with her in your garage, driveway, eating away at your checkbook with every breakdown?


Maybe now is the time you need to look under the hood a little longer, check all her connections, make sure her lines going in and out are clean.
Lipstick on a lemon is still a lemon.

As told to me on the phone: sept 10 2008 8 pm est

Monday, September 01, 2008

Ngunguru, Northland, New Zealand


1 September 2008
New Moon
New beginnings

My final days in New Zealand will be spent in a home on a hill in Ngunguru with a black cat named Zakara while its owner, Lilicherie works in Wellington. Ngunguru is in the Northland, 40 minutes from the next town, Whangarei. I'm getting settled with supplies and hope and sadness. This view from my window looks out at the river and a sand spit; to the left it joins the sea. There are glorious walks here, -- when the tide is out -- along the sandy beach, cutting jagged cliffs to one side, the sea to the other. Many rocks from small to large, with jagged edges are covered with oysters. The beautiful sounds of Tui's and the shrill sounds of the oyster catchers accompany you wherever you go. In this photo the tide is in. A beautiful place to live before returning to New York.

Monday, August 25, 2008

Death Threats

When I exhibited the video art work, "Milk*" at the Detroit Institute of Arts, in 1978, I received death threats. John Neff, the Director of the DIA at the time said that although there was no way to know if those threats were real, it was his job to inform me that the DIA had received them.

I am proud of the work and it still stands up today as a funny commentary on social behavior. I'm also sort of proud that the work moved people to such extremes. It happened again with my play, WINTER. There were two reviews that didn't review the play, they reviewed me, and it's this anti-american sentiment that is driving me away from wanting to continue to work here.

Critics benefit from tearing apart the lives of others. Critics are killers of a what they have not experienced or are not open to experiencing. Those people who support them enjoy a vicarious pleasure in seeing others put down. Negativity, superiority, what's it good for? The same people who are critical of their own country (USA) of being bully's, are bullys themselves as critics. There is a big difference between the artist and the critic. I would have considered a negative review as a possible professional attempt to comment on the play, if it in fact had reviewed the play, which it seems to me should mention something about what a play involves like, the actors, the director, the set design, the lighting, the sound, .... even audience response....

Would a truthful artist spend his/her time tearing apart the work of others? Do mothers send their children to war?

* (Milk went on to receive many awards and is the first video art work from the 70's of a mother expressing her breast milk in a glass and drinking it while discussing breast feeding in public.)

Farwell Party


Saying goodbye at my party to some women who made a difference in my life in Wellington, NZ: (Me), Vlad, Rose and Kazz Funky Blue

Friday, August 22, 2008

Eclipse: a poem & a goodbye to Wellington



Eclipse
when the dark side of the moon
becomes two
they huddle together
and walk toward silence


Once again I am leaving Wellington. This will be the fourth time. Each time I left, I thought I would stay away. But in New York I heard the sea calling me, calling me back. And a man. I thought I would give it another go with the man, and again, and again. But it's not meant to be.

In a few days I go to Ngunguru, to live on the sea once more, Ngunguru is a small seaside town east of Whangarei, a few hours north of Auckland. It will be warmer there. The town has a dairy, a cafe and a real estate office. I'm taking my sketch book, pens and pencils and my new guitar. I gave my Drunk Monologues' guitar to Vlad and then Alfred showed up with a guitar for me. That night -- around 5 a.m. - Leonard called from Detroit.



I was half awake but had to laugh at the synchroncity of the call. The last time I asked the universe for a sign to return to music was in 2005. At the moment I said, okay, if I'm supposed to be making music, send me a sign. The Phone rang and it was Leonard. We had not spoken to each other in 25 years. LPJ was (is) the drummer in The Dangerous Diane Band. We put the band back together and did a kick ass reunion in Detroit.

Leonard Paul Johnson

This second coincidence of Leonard calling me on the night I was given a guitar is too Arthur Koestler to ignore, and so I will play some music in Ngunguru. -- It may be the blues this time.

Photos by Jay Yager, The Dangerous Diane Band Reunion Gig, Detroit 2005

Tuesday, August 19, 2008

KAZZ FUNKY BLUE




The original oil painting in WINTER is by Kazz Funky Blue. Here's a better photo of it to satisfy those of you who said they wanted to see it up close.

Tuesday, August 12, 2008

TORN WINTER: A story w/pic Ch Two

Torn Winter
Chapter Two: opening tease:
"I was at the theatre, but I can't say exactly what happened. The police have put a zipper on it. I don't think Blandhurst deserved to die...."

Note to my blog readers: I have had to remove my entries for "Torn Winter" due to bizarre events (which will be written in chapter 3) and a bidding war for this story. Eventually there will be a book under a pseudonym. It seems that my story about a writer killing critics is hot. But, let's remember critics are people too, somewhere bellow serial killer but above pedophile. We can only hope that someday their brain will go through a high powered car wash and re-adjust the importance of their left brain. In the meantime, send me an email if you want to read future chapters......


I went for a walk to calm my senses. Came across this idyllic scene, until you look closer in the lower right hand corner. It tears you apart but it's the real world.

...to be continued....

Review in Salient

Jackson Coe in Salient says WINTER is ....

"....an invocation of absurdist influences such as Beckett and Ionesco....." AND,

"Winter is like an absurdist comedy, teetering between reality and a world of dreams and fantasies. If anything, it’s encouraging to know that I’m not the only one who finds the difference between the two foggy at times."

check out entire review at http://www.salient.org.nz/arts/theatre/winter

Monday, August 11, 2008

WINTER the final show



Photo by Tommaso Barsali

Melissa Billington & Nigel Edgecombe.

Winter closed at BATS Theatre on 9th August. Directed by Sally Richards, it enjoyed a very powerful run with audience members praising the production as one of the most poetic dramas ever. Despite some critics who just didn't get it, and failed to mention it's humour and dark story, -- (as well as the original music, set design, direction, lighting and other elements that are relevant to a live theatre work) -- the BATS audience loved it. Winter was about being the other in a foreign land; how we see others different from ourselves. It asks the universal question, 'how can we expect our world leaders to represent us in peace if we can't find peace in our own homes, in our own hearts?'

In addition to the work of the actors and director, I am grateful to the contributions and work of others who made WINTER a success, including: David Phillips as the lighting designer and operator, Kazz Funky Blue and Anjelica Singer as Co-Stage Managers and Tommaso Barsali as photographer and set helper. They gave their time and input into this production, making the story come to the audience, completing the circle of the first words of the play written in the winter of 2005: "...How was your walk?"

For the record, (since this seemed to be a contention with one critic), the first draft was written in 2005 but many drafts and workshops followed over three years. In 2005 I wrote the first words during the winter while living in Pukerua Bay, on the Kapiti Coast, with my partner. What is fictional and what is autobiographical is deliberately blurred; it's not anyone's business, and more important not relevant to the play, in particular not to critics who speculate about my life which they know nothing about.

Most critics depend on the creativity of artists to write their opinions because they don't have the guts to make art themselves or they make bad art. The late Robert Pincus Witten and (the very much alive) Lucy Lippard are two New York critics I have known personally who in their writing knew how to look at artists' work; they knew that the important thing is to report on what they actually saw, not on what they wish they saw.

Wednesday, August 06, 2008

Patti Smith Dream of Life REVIEW



RenCen, Downtown Detroit, shot from Canada

"Dream of Life," 2008, a documentary film about Patti Smith by Steven Sebring

"A" took me to see the Patti Smith documentary, "Dream of Life," at the Paramount in Wellington.

The film was shot over an eleven-year period, following Smith from New York to Detroit and around the world.

These are the things I now know about Patti Smith that I didn't know before:

She is a slob
She's still a friend with Sam Shepherd, her lover from the 70's
She eats hamburgers
She looks great at 60 (in 2006)
She wears Prado shoes (purchased at a Duty Free Shop in an Australian airport before entering New Zealand.)

She and Sam Shepard have tattoos from a wild night in New York in the 70's... we saw his tattoo on his hand, but when Patti pulled up her pant leg, the camera did not get a shot of it. (Sam Shepard never succumbed to Hollywood pressure to have perfect teeth.)
She still spits when she performs (At the Allen Ginsberg memorial there was a nasty piece that hung on her lip for a long time. It was like watching a car wreck.)

She adores her children
She's still political, despite eating meat
She loves her mum and dad
Lenny Kaye adores her (Actually I already knew this because I adore Lenny Kaye)
She eats meat (oh I said that.)
She can pee in a bottle on a small plane, while sitting next to the pilot who didn't have a clue -- (although the pilot from that time was not questioned about this.)
She didn't do drugs. (Well maybe she did but the word 'drug' was not in the film -- not even once, which has to be a first in a film about a punk rocker.)
She doesn't do drugs (Although she never said so, but hey, I wanted to know.)

Most of the performance footage in the film was from a concert where she wore a ragged drenched-in-sweat t-shirt. It's riveting. A few years ago I saw Patti Smith perform in Hoboken, New Jersey at a street fare. My daughter and I watched her from the side of the stage where we dodged her flying spits. (Warning, she spits to the left, stage right.) She wore her 'uniform:' white blouse, dark jacket, rolled up pants and heavy boots. There's something beautiful about Smith's choice to deny the male gaze to consume her body parts tightly wrapped by designer names. Her whole body and soul is her music and her poetry; and although the film is fantastic, it's nothing compared to listening to a cranked up CD, or even better, seeing her live.

"Dream of Life" is also the name of an album Smith produced with her husband, Fred Sonic Smith (guitarist from MC5) in Detroit in 1988. It's not my favorite -- Lenny Kaye is not on it, not that he holds a grudge. I met Lenny Kaye at the Knitting Factory in the 80's (when it was on Houston St.) where we shared the stage for an anti-war poetry reading. Lenny read his own poetry and I told him that on that very day I had cleaned the apartment while listening to him play on the album HORSES. He said he missed Patti since she moved to Detroit but that she was still the greatest living American poet ever. And then he bought my chapbook, "Vulva Poems." I tried to give it to him but he insisted on paying me the $2.00, which I used to buy a beer. Later I walked down Houston with Kate Millett, who was also a powerful reader that night.

A different review of this film can be seen at New Zealand's number one on-line publicaiton about theatre and the arts: www.lumierereader.co.nz. Although I gotta laugh at their title: "Poet Princess: Patti Smith" Princess? For the godmother of punk? The godfather of punk of course is Iggy Pop who is from Detroit, and Smith left New York in the 80's to live in Detroit for 16 years. Detroit has spitted out some great talent from Motown to punk and it is still going.
RenCen, Detroit, Michigan
 as seen from Windsor, Ontario, my birthplace

Monday, August 04, 2008

Torn WINTER: A story with pictures Chapter One

Torn Winter
Chapter One

I spotted the poster as I walked on Lambton Quay near the railroad station. I ran across the street and looked at it up close. Another WINTER poster torn, hanging for dear life while other posters hung strong on the Kiosk, glad that it wasn't them. I examined the tear, it was fresh. A young man on a skateboard skidded at my heels. He pulled his headphones from his ears but I could still hear the familiar sounds of The Phoenix Foundation crackling in the earpieces.

I saw who did it, he said.
Did you get a good look at him?
Yeah, he was bald, old, fat. But so is my Dad and my Dad didn't do it.

He skated off, turned, and looked over his shoulder at me, without slowing down his rhythm. There was something about his look, something familiar. He caught my eye, turned on a dime, flipped the board, and skated back to me. "Oh, one more thing," he hesitated but then quickly said, "I don't know if it's helpful because I hear it all the time from my Dad's mates."

What is it I asked, trying not to look too hopeful.
He mumbled something under his breath when he ripped it.
Could you hear what it was?
Yeah.
What did he say?
He said, Bloody American cunt*.

It felt like someone punched me. The young man smiled with his lips pressed tightly together. He jumped on his board, said cheers and skated away towards the harbour. I I took a picture of the poster on the kiosk and walked to Newtown. When I got to the shops I felt a coffee jones coming on and stopped at the People's Cafe, even though I couldn't afford the $3 for a flat white. I sat outside next to a table with six cab drivers from Africa and listened to them talk about home. I studied the photo in my camera. I took out my journal and wrote, 'Bloody American Cu*t. Next to it I wrote three words: Old. Bald. Fat. Was there a connection? The young man said his Dad was old, fat and bald, but he didn't do it. Was that the clue? If it wasn't his Dad, could it be someone else's father? A priest? Or a monk? Was there a religious connection? Or was he an ordinary man.
...to be continued....

*Note: I did not say cu*t. My character says it because a NZ writer recently said this word is now cool, that everyone said it, that it's so yesterday to be offended by it. So I thought I would put the word in a Kiwi mouth. I have never used the word in my writing before. I still think it's offensive, and so does the narrator, (which is why I, the writer, and the narrator both say cu*t; but the character says 'cunt.')


Winter with Kazz Funky Blue painting




Painting on the right: The original oil painting in the play, WINTER, was generously donated by Kazz Funky Blue, a Newtown artist. It is a tradition in New York to see original works of art in tv shows and films by NY artists. I am very pleased Kazz said yes so we could display this very sensual work of a woman playing a cello. Not just a 'hang on the wall work,' it appears in scene 2 when Crystal's 'stuff' from the U.S. arrives. It's sensual message adds another level to this play with it's underlying sexual theme.



Radio plays "Nothing Changes" Detroit jam version recorded with The Ghost Band in Detroit in the summer of 2006 in LPJ's basement in Royal Oak -- same city Patti Smith and Fred Smith lived in for 16 years until Fred died and Patti moved back to New York with her two children and picked up her career where she left it when she had met Fred and moved to Detroit. Royal Oak is a suburb of Detroit. Great place because Mary and Leonard are there.

PRAISE FOR WINTER

Unsolicited texts, emails, and phone calls are coming in after three shows. It is wonderful to have people enjoy WINTER. I will be posting messages from those who have been generous in taking the time to send their thoughts:

"I loved your play. I laughed lots. good messages and really entertaining. Yay 4 u! k8"

"Our American Women's Network had a great evening out. There were 12 of us who attended Opening Night. We really enjoyed the play and seeing the American/Kiwi cultural issues alive on stage. Cheers, J."

"Great piece of writing. M."

"I was so inspired I went home and worked on my own writing. D"







Getting ready for the Olympics


Some of the Chinese community in Wellington, New Zealand had this to say about Helen Clark, the Prime Miniter of New Zealand signing a trade treaty with China.

The sign: STOP HARVESTING ORGANS.

This theatrical event took place on the back of a flat top truck driving up Willis Street mid day. This bloody scene was acted over and over.

WINTER & Condoleeza Rice



Nigel Edgecombe as Horse
Melissa Billington as Crystal

Condoleeza Rice flew into New Zealand on the 31 July, same day as the premiere of my play, "WINTER". Although I didn't spot her in the theatre, there were twelve women from the American Women in New Zealand Network in the audience waving American Flags. (Who sent an email saying how much fun they had and how fabulous the play was!!) -- Good on ya American Women -- . Perhaps they were hiding Condee because Auckland University's Student Association offered a $5,000 reward for the citizen's arrest of the U.S. Secretary of State. Pressured by the police, the Association withdrew their offer; however on hearing about the withdrawal, Victoria University's Student Association, in Wellington, offered a $10,000 reward.

Within days of the first performance two reviews of WINTER were published, both of which failed to mention how much the audience laughed. I thought perhaps the two middle aged Pakeha (white people for you non-Kiwi readers) men had no sense of humour, but I was wrong. Check out this statement by AUSA President David Do, who issued this statement to the media why the reward was offered for the citizen arrest for Rice:

"It's hard enough living as a student in Auckland these days without having a war criminal coming to town, so we thought we'd give our students a chance to make a dent in their student loans and work for global justice at the same time."

To read more about this event see the Victoria University student magazine salient, at www.salient.org.nz.

Saturday, July 12, 2008

THE SPY BILL & WHY AMERICANS MOVE TO NZ

I swore I would not write about politics, but I can't resist this one.
THE WIRETAPPING BILL was passed by Congress: 69 to 28. (97 out of 100 Senators!)
More individual rights have been stripped from American citizens.

Senator Obama said he was against it. VOTED FOR IT.
Senator Hillary Clinton said she was against it. VOTED AGAINST IT.
Senator McCain said he was for it. DID NOT SHOW UP TO VOTE.

This vote is indicative of who these people are, and have been from the very beginning. At the end of the day, it's not even that it's one issue. Every thing we do, every move we make, every word we speak indicates who we are.

I'm quite isolated watching U.S. politics from half way around the world because for the most part Kiwis just don't like Americans and American politics. (However, their own National Party, Brash and Key are allied with Bush, and they are in the lead for this year's election.)

Living in New Zealand I feel obligated to read about US politics. There are many websites including: nyt, bbc, guardian, and numerous 'alt' websites. The local papers here publish stories about the U.S. every day, mostly about celebrities. But how reliable they are on world events, I'm not sure, in 2006 they said -- after Katrina destroyed New Orleans -- that sharks from the ocean were swimming down Bourbon Street.

The passing of the wiretapping bill is shocking. The two year debate around it was based on fear. It includes immunity for those who cooperated with the government in illegal wire taping after 9/11. These would be AT&T, Verizon and anyone else the White House asked to conduct illegal spying.

My friend Olivia has a friend who just returned to New York after a trip to New Zealand and she says that if the Republicans win, she's moving to NZ. I got news for Olivia's friend, when you visit here they love you, when you move here it's a little different, like the one Kiwi who said to me, "You're not moving here are you? There are enough of you bloody Americans here already."
Why do Americans move to NZ?
P.S. To Olivia's friend, you can't move here if you are over the age of 54. They don't want oldies retiring here -- unless you invest 5 million -- then age is not a factor. Sigh.

Thursday, July 03, 2008

Bonny Finberg


"How the Discovery of Sugar Produced the Romantic Era" by Bonny Finberg. Published by Sisyphus Press, NY, NY 2007

Finberg's twelve short stories told from the male point of view are a wonderful romp into the land of men. But who are these men? Do we know them? Friends? Lovers? Strangers? Family?

In the introduction Finberg says she wrote these stories from the male point of view as a distraction from the writing of her novel and she discovered, that "…man or woman, we all share the same loneliness, foolish hope and disappointment, and are essentially the same at our core."

"...essentially the same at our core" is a debatable topic, but what is clear is Finberg's talent in creating stories like an artist painting a canvas. She knows just how much to add to what we already know about the human (male) condition and she knows when to end it. As I finished each story, I found myself lingering over what I had read, the images, the person -- wondering if he was okay, or equally wondering if he knew what an idiot he was.

Her observations of ordinary acts are brilliant. Here's a ditty I love in "Basho on the Road:"
"He picks up a Dunkin' Donuts bag next to the clutch and pulls out white gym socks."

Ordinary guys, doing ordinary things offered to us, the reader, by an extraordinary talent.

As I read these stories, all but one in the third person, I found myself wondering how can a third person tale be gender specific? For instance, who else but Dashell Hammett could write from a male point of view, but is it male POV -- in third person when the writer is a woman? In each story Finberg got inside the men she was writing about. It was like she sat down in a café with these men and they opened their hearts and fears to her. And like the best ghost writer she was able to articulate what they thought they could not.

From "Memory":
"He would stand in the courtyard at dusk and play the violin. People threw down change in brown paper bags. This was before he understood that these were not ordinary things."

Brilliant. Humourous. Touching. Surprising. And the best for last: unexpected endings that will touch your heart and sometimes smack you up.

More from Finberg's introduction:
"I wanted to write from the male point of view in order to create a greater sense of distance from my characters. At first I discovered that saying “he” instead of “she” was all it took. Most of them sprang from my head like little Athenas while others were based on fleeting observations of strangers—in the street, at a cafe, parked behind the wheel of a mini-trailer. Sometimes I added elements from people I knew, and one or two were based on women that I turned into men."

Wednesday, April 23, 2008





My play WINTER about living on the Kapiti Coast and being seduced by the sea will premiere at BATS Theatre July 31, featuring Melissa Billington and Nigel Edgecombe. Director: Sally Richards.

As I post this I just felt an earthquake. A good sign -- I think.


Melissa Billington & Kapiti Island, Pukerua Bay, NZ

Tuesday, April 22, 2008

What I do



Photo: Guler Ugur, Summer New York 2007

Hello to anyone who reads my blog.

In the interest of how little time is left in this present reincarnation, I will continue to document my work and stuff as it occurs here there and everywhere in photos and writing.

Coming up on my two year blog anniversary, (May, 2006), I can see how not much has changed with my approach of photos and musings about where I'm at at the moment.

I am always interested in showing other artists' work as well, with links and photos of your work, or a poem. (Still working on linking stuff to the website.) Those who are in the archives: Petruska, Beens, Dombrowski, Sumaya, Cordula, Guler Ugur, and many more.

This pic of me by Guler is what my flatmate Helen says is a "pretty good pukana" but it was in fact taken last year in New York. I wasn't trying to do a pukana. It was the hottest day of the summer and we were dripping in sweat. The haka, a traditional Maori dance is one of the things that gives me goose bumps in NZ.

Saturday, April 12, 2008

SPITZER - Politics the best drama

Governor of New York Resigns.

Can you believe it? A man caught in a sex scandal? While Governor Eliot Spitzer was representing millions of New Yorkers and working towards cleaning up the state by getting rid of those pesty prostitutes as if he was Mad Max he was doing private research. With his wife by his side, Spitzer said he was sorry and resigned. Mrs. Spitzer looked medicated and tired standing by her man. It was a sober thought about men.

Picture this: Hillary Clinton caught with a 23 year old prostitute who wants to be a singer.