Palin is like a New Car - Lipstick on a Lemon is still a Lemon

A Riff on Sara Palin
Lipstick on a Lemon is still a Lemon

As told to me by an anonymous man:

Sara Palin is like a new car.
You see her in the lot and she looks really good.
Paint job is real shiney and she smells good too.
Turn the key and she revs up, blasting a nice sound.
She idles like a purring cat.
You take her for a test run, she seems okay.
Is she affordable?
Are there any hidden costs? What comes with her price and what is optional?
And, what if you need to go on a long trip, is she ready?
Could she be a lemon?
Could she be recalled?
When the warranty is up, are you stuck with her?
Will you be able to get rid of her? Or will you be stuck with her in your garage, driveway, eating away at your checkbook with every breakdown?


Maybe now is the time you need to look under the hood a little longer, check all her connections, make sure her lines going in and out are clean.
Lipstick on a lemon is still a lemon.

As told to me on the phone: sept 10 2008 8 pm est

Ngunguru, Northland, New Zealand

1 September 2008
New Moon
New beginnings

My final days in New Zealand will be spent in a home on a hill in Ngunguru with a black cat named Zakara while its owner, Lilicherie works in Wellington. Ngunguru is in the Northland, 40 minutes from the next town, Whangarei. I'm getting settled with supplies and hope and sadness. This view from my window looks out at the river and a sand spit; to the left it joins the sea. There are glorious walks here, -- when the tide is out -- along the sandy beach, cutting jagged cliffs to one side, the sea to the other. Many rocks from small to large, with jagged edges are covered with oysters. The beautiful sounds of Tui's and the shrill sounds of the oyster catchers accompany you wherever you go. In this photo the tide is in. A beautiful place to live before returning to New York.

Death Threats

When I exhibited the video art work, "Milk*" at the Detroit Institute of Arts, in 1978, I received death threats. John Neff, the Director of the DIA at the time said that although there was no way to know if those threats were real, it was his job to inform me that the DIA had received them.

I am proud of the work and it still stands up today as a funny commentary on social behavior. I'm also sort of proud that the work moved people to such extremes. It happened again with my play, WINTER. There were two reviews that didn't review the play, they reviewed me, and it's this anti-american sentiment that is driving me away from wanting to continue to work here.

Critics benefit from tearing apart the lives of others. Critics are killers of a what they have not experienced or are not open to experiencing. Those people who support them enjoy a vicarious pleasure in seeing others put down. Negativity, superiority, what's it good for? The same people who are critical of their own country (USA) of being bully's, are bullys themselves as critics. There is a big difference between the artist and the critic. I would have considered a negative review as a possible professional attempt to comment on the play, if it in fact had reviewed the play, which it seems to me should mention something about what a play involves like, the actors, the director, the set design, the lighting, the sound, .... even audience response....

Would a truthful artist spend his/her time tearing apart the work of others? Do mothers send their children to war?

* (Milk went on to receive many awards and is the first video art work from the 70's of a mother expressing her breast milk in a glass and drinking it while discussing breast feeding in public.)

Farwell Party

Saying goodbye at my party to some women who made a difference in my life in Wellington, NZ: (Me), Vlad, Rose and Kazz Funky Blue

Eclipse: a poem & a goodbye to Wellington

Eclipse

when the dark side of the moon
becomes two
they huddle together
and walk toward silence

Once again I am leaving Wellington. This will be the fourth time. Each time I left, I thought I would stay away. But in New York I heard the sea calling me, calling me back. And a man. I thought I would give it another go with the man, and again, and again. But it's not meant to be.

In a few days I go to Ngunguru, to live on the sea once more, Ngunguru is a small seaside town east of Whangarei, a few hours north of Auckland. It will be warmer there. The town has a dairy, a cafe and a real estate office. I'm taking my sketch book, pens and pencils and my new guitar. I gave my Drunk Monologues' guitar to Vlad and then Alfred showed up with a guitar for me. That night -- around 5 a.m. - Leonard called from Detroit.



I was half awake but had to laugh at the synchroncity of the call. The last time I asked the universe for a sign to return to music was in 2005. At the moment I said, okay, if I'm supposed to be making music, send me a sign. The Phone rang and it was Leonard. We had not spoken to each other in 25 years. LPJ was (is) the drummer in The Dangerous Diane Band. We put the band back together and did a kick ass reunion in Detroit.

Leonard Paul Johnson

This second coincidence of Leonard calling me on the night I was given a guitar is too Arthur Koestler to ignore, and so I will play some music in Ngunguru. -- It may be the blues this time.

Photos by Jay Yager, The Dangerous Diane Band Reunion Gig, Detroit 2005

KAZZ FUNKY BLUE

The original oil painting in WINTER is by Kazz Funky Blue. Here's a better photo of it to satisfy those of you who said they wanted to see it up close.

TORN WINTER: A story w/pic Ch Two

Torn Winter
Chapter Two: opening tease:
"I was at the theatre, but I can't say exactly what happened. The police have put a zipper on it. I don't think Blandhurst deserved to die...."

Note to my blog readers: I have had to remove my entries for "Torn Winter" due to bizarre events (which will be written in chapter 3) and a bidding war for this story. Eventually there will be a book under a pseudonym. It seems that my story about a writer killing critics is hot. But, let's remember critics are people too, somewhere bellow serial killer but above pedophile. We can only hope that someday their brain will go through a high powered car wash and re-adjust the importance of their left brain. In the meantime, send me an email if you want to read future chapters......


I went for a walk to calm my senses. Came across this idyllic scene, until you look closer in the lower right hand corner. It tears you apart but it's the real world.

...to be continued....

Review in Salient

Jackson Coe in Salient says WINTER is ....

"....an invocation of absurdist influences such as Beckett and Ionesco....." AND,

"Winter is like an absurdist comedy, teetering between reality and a world of dreams and fantasies. If anything, it’s encouraging to know that I’m not the only one who finds the difference between the two foggy at times."

check out entire review at http://www.salient.org.nz/arts/theatre/winter

WINTER the final show

Photo by Tommaso Barsali

Melissa Billington & Nigel Edgecombe.

Winter closed at BATS Theatre on 9th August. Directed by Sally Richards, it enjoyed a very powerful run with audience members praising the production as one of the most poetic dramas ever. Despite some critics who just didn't get it, and failed to mention it's humour and dark story, -- (as well as the original music, set design, direction, lighting and other elements that are relevant to a live theatre work) -- the BATS audience loved it. Winter was about being the other in a foreign land; how we see others different from ourselves. It asks the universal question, 'how can we expect our world leaders to represent us in peace if we can't find peace in our own homes, in our own hearts?'

In addition to the work of the actors and director, I am grateful to the contributions and work of others who made WINTER a success, including: David Phillips as the lighting designer and operator, Kazz Funky Blue and Anjelica Singer as Co-Stage Managers and Tommaso Barsali as photographer and set helper. They gave their time and input into this production, making the story come to the audience, completing the circle of the first words of the play written in the winter of 2005: "...How was your walk?"

For the record, (since this seemed to be a contention with one critic), the first draft was written in 2005 but many drafts and workshops followed over three years. In 2005 I wrote the first words during the winter while living in Pukerua Bay, on the Kapiti Coast, with my partner. What is fictional and what is autobiographical is deliberately blurred; it's not anyone's business, and more important not relevant to the play, in particular not to critics who speculate about my life which they know nothing about.

Most critics depend on the creativity of artists to write their opinions because they don't have the guts to make art themselves or they make bad art. The late Robert Pincus Witten and (the very much alive) Lucy Lippard are two New York critics I have known personally who in their writing knew how to look at artists' work; they knew that the important thing is to report on what they actually saw, not on what they wish they saw.

Patti Smith Dream of Life REVIEW

RenCen, Downtown Detroit, shot from Canada

"Dream of Life," 2008, a documentary film about Patti Smith by Steven Sebring

"A" took me to see the Patti Smith documentary, "Dream of Life," at the Paramount in Wellington.

The film was shot over an eleven-year period, following Smith from New York to Detroit and around the world.

These are the things I now know about Patti Smith that I didn't know before:

She is a slob
She's still a friend with Sam Shepherd, her lover from the 70's
She eats hamburgers
She looks great at 60 (in 2006)
She wears Prado shoes (purchased at a Duty Free Shop in an Australian airport before entering New Zealand.)

She and Sam Shepard have tattoos from a wild night in New York in the 70's... we saw his tattoo on his hand, but when Patti pulled up her pant leg, the camera did not get a shot of it. (Sam Shepard never succumbed to Hollywood pressure to have perfect teeth.)
She still spits when she performs (At the Allen Ginsberg memorial there was a nasty piece that hung on her lip for a long time. It was like watching a car wreck.)

She adores her children
She's still political, despite eating meat
She loves her mum and dad
Lenny Kaye adores her (Actually I already knew this because I adore Lenny Kaye)
She eats meat (oh I said that.)
She can pee in a bottle on a small plane, while sitting next to the pilot who didn't have a clue -- (although the pilot from that time was not questioned about this.)
She didn't do drugs. (Well maybe she did but the word 'drug' was not in the film -- not even once, which has to be a first in a film about a punk rocker.)
She doesn't do drugs (Although she never said so, but hey, I wanted to know.)

Most of the performance footage in the film was from a concert where she wore a ragged drenched-in-sweat t-shirt. It's riveting. A few years ago I saw Patti Smith perform in Hoboken, New Jersey at a street fare. My daughter and I watched her from the side of the stage where we dodged her flying spits. (Warning, she spits to the left, stage right.) She wore her 'uniform:' white blouse, dark jacket, rolled up pants and heavy boots. There's something beautiful about Smith's choice to deny the male gaze to consume her body parts tightly wrapped by designer names. Her whole body and soul is her music and her poetry; and although the film is fantastic, it's nothing compared to listening to a cranked up CD, or even better, seeing her live.

"Dream of Life" is also the name of an album Smith produced with her husband, Fred Sonic Smith (guitarist from MC5) in Detroit in 1988. It's not my favorite -- Lenny Kaye is not on it, not that he holds a grudge. I met Lenny Kaye at the Knitting Factory in the 80's (when it was on Houston St.) where we shared the stage for an anti-war poetry reading. Lenny read his own poetry and I told him that on that very day I had cleaned the apartment while listening to him play on the album HORSES. He said he missed Patti since she moved to Detroit but that she was still the greatest living American poet ever. And then he bought my chapbook, "Vulva Poems." I tried to give it to him but he insisted on paying me the $2.00, which I used to buy a beer. Later I walked down Houston with Kate Millett, who was also a powerful reader that night.

A different review of this film can be seen at New Zealand's number one on-line publicaiton about theatre and the arts: www.lumierereader.co.nz. Although I gotta laugh at their title: "Poet Princess: Patti Smith" Princess? For the godmother of punk? The godfather of punk of course is Iggy Pop who is from Detroit, and Smith left New York in the 80's to live in Detroit for 16 years. Detroit has spitted out some great talent from Motown to punk and it is still going.
RenCen, Detroit, Michigan

 as seen from Windsor, Ontario, my birthplace

Torn WINTER: A story with pictures Chapter One

Torn Winter
Chapter One

I spotted the poster as I walked on Lambton Quay near the railroad station. I ran across the street and looked at it up close. Another WINTER poster torn, hanging for dear life while other posters hung strong on the Kiosk, glad that it wasn't them. I examined the tear, it was fresh. A young man on a skateboard skidded at my heels. He pulled his headphones from his ears but I could still hear the familiar sounds of The Phoenix Foundation crackling in the earpieces.

I saw who did it, he said.
Did you get a good look at him?
Yeah, he was bald, old, fat. But so is my Dad and my Dad didn't do it.

He skated off, turned, and looked over his shoulder at me, without slowing down his rhythm. There was something about his look, something familiar. He caught my eye, turned on a dime, flipped the board, and skated back to me. "Oh, one more thing," he hesitated but then quickly said, "I don't know if it's helpful because I hear it all the time from my Dad's mates."

What is it I asked, trying not to look too hopeful.
He mumbled something under his breath when he ripped it.
Could you hear what it was?
Yeah.
What did he say?
He said, Bloody American cunt*.

It felt like someone punched me. The young man smiled with his lips pressed tightly together. He jumped on his board, said cheers and skated away towards the harbour. I I took a picture of the poster on the kiosk and walked to Newtown. When I got to the shops I felt a coffee jones coming on and stopped at the People's Cafe, even though I couldn't afford the $3 for a flat white. I sat outside next to a table with six cab drivers from Africa and listened to them talk about home. I studied the photo in my camera. I took out my journal and wrote, 'Bloody American Cu*t. Next to it I wrote three words: Old. Bald. Fat. Was there a connection? The young man said his Dad was old, fat and bald, but he didn't do it. Was that the clue? If it wasn't his Dad, could it be someone else's father? A priest? Or a monk? Was there a religious connection? Or was he an ordinary man.
...to be continued....

*Note: I did not say cu*t. My character says it because a NZ writer recently said this word is now cool, that everyone said it, that it's so yesterday to be offended by it. So I thought I would put the word in a Kiwi mouth. I have never used the word in my writing before. I still think it's offensive, and so does the narrator, (which is why I, the writer, and the narrator both say cu*t; but the character says 'cunt.')

Winter with Kazz Funky Blue painting

Painting on the right: The original oil painting in the play, WINTER, was generously donated by Kazz Funky Blue, a Newtown artist. It is a tradition in New York to see original works of art in tv shows and films by NY artists. I am very pleased Kazz said yes so we could display this very sensual work of a woman playing a cello. Not just a 'hang on the wall work,' it appears in scene 2 when Crystal's 'stuff' from the U.S. arrives. It's sensual message adds another level to this play with it's underlying sexual theme.



Radio plays "Nothing Changes" Detroit jam version recorded with The Ghost Band in Detroit in the summer of 2006 in LPJ's basement in Royal Oak -- same city Patti Smith and Fred Smith lived in for 16 years until Fred died and Patti moved back to New York with her two children and picked up her career where she left it when she had met Fred and moved to Detroit. Royal Oak is a suburb of Detroit. Great place because Mary and Leonard are there.

PRAISE FOR WINTER

Unsolicited texts, emails, and phone calls are coming in after three shows. It is wonderful to have people enjoy WINTER. I will be posting messages from those who have been generous in taking the time to send their thoughts:

"I loved your play. I laughed lots. good messages and really entertaining. Yay 4 u! k8"

"Our American Women's Network had a great evening out. There were 12 of us who attended Opening Night. We really enjoyed the play and seeing the American/Kiwi cultural issues alive on stage. Cheers, J."

"Great piece of writing. M."

"I was so inspired I went home and worked on my own writing. D"

Getting ready for the Olympics

Some of the Chinese community in Wellington, New Zealand had this to say about Helen Clark, the Prime Miniter of New Zealand signing a trade treaty with China.

The sign: STOP HARVESTING ORGANS.

This theatrical event took place on the back of a flat top truck driving up Willis Street mid day. This bloody scene was acted over and over.

WINTER & Condoleeza Rice

Nigel Edgecombe as Horse
Melissa Billington as Crystal

Condoleeza Rice flew into New Zealand on the 31 July, same day as the premiere of my play, "WINTER". Although I didn't spot her in the theatre, there were twelve women from the American Women in New Zealand Network in the audience waving American Flags. (Who sent an email saying how much fun they had and how fabulous the play was!!) -- Good on ya American Women -- . Perhaps they were hiding Condee because Auckland University's Student Association offered a $5,000 reward for the citizen's arrest of the U.S. Secretary of State. Pressured by the police, the Association withdrew their offer; however on hearing about the withdrawal, Victoria University's Student Association, in Wellington, offered a $10,000 reward.

Within days of the first performance two reviews of WINTER were published, both of which failed to mention how much the audience laughed. I thought perhaps the two middle aged Pakeha (white people for you non-Kiwi readers) men had no sense of humour, but I was wrong. Check out this statement by AUSA President David Do, who issued this statement to the media why the reward was offered for the citizen arrest for Rice:

"It's hard enough living as a student in Auckland these days without having a war criminal coming to town, so we thought we'd give our students a chance to make a dent in their student loans and work for global justice at the same time."

To read more about this event see the Victoria University student magazine salient, at www.salient.org.nz.

THE SPY BILL & WHY AMERICANS MOVE TO NZ

I swore I would not write about politics, but I can't resist this one.
THE WIRETAPPING BILL was passed by Congress: 69 to 28. (97 out of 100 Senators!)
More individual rights have been stripped from American citizens.

Senator Obama said he was against it. VOTED FOR IT.
Senator Hillary Clinton said she was against it. VOTED AGAINST IT.
Senator McCain said he was for it. DID NOT SHOW UP TO VOTE.

This vote is indicative of who these people are, and have been from the very beginning. At the end of the day, it's not even that it's one issue. Every thing we do, every move we make, every word we speak indicates who we are.

I'm quite isolated watching U.S. politics from half way around the world because for the most part Kiwis just don't like Americans and American politics. (However, their own National Party, Brash and Key are allied with Bush, and they are in the lead for this year's election.)

Living in New Zealand I feel obligated to read about US politics. There are many websites including: nyt, bbc, guardian, and numerous 'alt' websites. The local papers here publish stories about the U.S. every day, mostly about celebrities. But how reliable they are on world events, I'm not sure, in 2006 they said -- after Katrina destroyed New Orleans -- that sharks from the ocean were swimming down Bourbon Street.

The passing of the wiretapping bill is shocking. The two year debate around it was based on fear. It includes immunity for those who cooperated with the government in illegal wire taping after 9/11. These would be AT&T, Verizon and anyone else the White House asked to conduct illegal spying.

My friend Olivia has a friend who just returned to New York after a trip to New Zealand and she says that if the Republicans win, she's moving to NZ. I got news for Olivia's friend, when you visit here they love you, when you move here it's a little different, like the one Kiwi who said to me, "You're not moving here are you? There are enough of you bloody Americans here already."
Why do Americans move to NZ?
P.S. To Olivia's friend, you can't move here if you are over the age of 54. They don't want oldies retiring here -- unless you invest 5 million -- then age is not a factor. Sigh.

Bonny Finberg

"How the Discovery of Sugar Produced the Romantic Era" by Bonny Finberg. Published by Sisyphus Press, NY, NY 2007

Finberg's twelve short stories told from the male point of view are a wonderful romp into the land of men. But who are these men? Do we know them? Friends? Lovers? Strangers? Family?

In the introduction Finberg says she wrote these stories from the male point of view as a distraction from the writing of her novel and she discovered, that "…man or woman, we all share the same loneliness, foolish hope and disappointment, and are essentially the same at our core."

"...essentially the same at our core" is a debatable topic, but what is clear is Finberg's talent in creating stories like an artist painting a canvas. She knows just how much to add to what we already know about the human (male) condition and she knows when to end it. As I finished each story, I found myself lingering over what I had read, the images, the person -- wondering if he was okay, or equally wondering if he knew what an idiot he was.

Her observations of ordinary acts are brilliant. Here's a ditty I love in "Basho on the Road:"
"He picks up a Dunkin' Donuts bag next to the clutch and pulls out white gym socks."

Ordinary guys, doing ordinary things offered to us, the reader, by an extraordinary talent.

As I read these stories, all but one in the third person, I found myself wondering how can a third person tale be gender specific? For instance, who else but Dashell Hammett could write from a male point of view, but is it male POV -- in third person when the writer is a woman? In each story Finberg got inside the men she was writing about. It was like she sat down in a café with these men and they opened their hearts and fears to her. And like the best ghost writer she was able to articulate what they thought they could not.

From "Memory":
"He would stand in the courtyard at dusk and play the violin. People threw down change in brown paper bags. This was before he understood that these were not ordinary things."

Brilliant. Humourous. Touching. Surprising. And the best for last: unexpected endings that will touch your heart and sometimes smack you up.

More from Finberg's introduction:
"I wanted to write from the male point of view in order to create a greater sense of distance from my characters. At first I discovered that saying “he” instead of “she” was all it took. Most of them sprang from my head like little Athenas while others were based on fleeting observations of strangers—in the street, at a cafe, parked behind the wheel of a mini-trailer. Sometimes I added elements from people I knew, and one or two were based on women that I turned into men."

My play WINTER about living on the Kapiti Coast and being seduced by the sea will premiere at BATS Theatre July 31, featuring Melissa Billington and Nigel Edgecombe. Director: Sally Richards.

As I post this I just felt an earthquake. A good sign -- I think.


Melissa Billington & Kapiti Island, Pukerua Bay, NZ

What I do

Photo: Guler Ugur, Summer New York 2007

Hello to anyone who reads my blog.

In the interest of how little time is left in this present reincarnation, I will continue to document my work and stuff as it occurs here there and everywhere in photos and writing.

Coming up on my two year blog anniversary, (May, 2006), I can see how not much has changed with my approach of photos and musings about where I'm at at the moment.

I am always interested in showing other artists' work as well, with links and photos of your work, or a poem. (Still working on linking stuff to the website.) Those who are in the archives: Petruska, Beens, Dombrowski, Sumaya, Cordula, Guler Ugur, and many more.

This pic of me by Guler is what my flatmate Helen says is a "pretty good pukana" but it was in fact taken last year in New York. I wasn't trying to do a pukana. It was the hottest day of the summer and we were dripping in sweat. The haka, a traditional Maori dance is one of the things that gives me goose bumps in NZ.

SPITZER - Politics the best drama

Governor of New York Resigns.

Can you believe it? A man caught in a sex scandal? While Governor Eliot Spitzer was representing millions of New Yorkers and working towards cleaning up the state by getting rid of those pesty prostitutes as if he was Mad Max he was doing private research. With his wife by his side, Spitzer said he was sorry and resigned. Mrs. Spitzer looked medicated and tired standing by her man. It was a sober thought about men.

Picture this: Hillary Clinton caught with a 23 year old prostitute who wants to be a singer.

Chaplinopera - a review

In college we used to watch movies with the sound off and the stereo full blast. It was hilarious. Does it work when the music is live by The New Zealand Stroma Ensemble to the Charlie Chaplin movies projected over the musicians' heads? Created by British composer Benedict Mason it was different because I couldn't lie on the floor, I wasn't high and I couldn't believe that everyone in the room paid $85 tickets to be there. Check out full review in The Lumiere Reader: http://lumiere.net.nz/reader/arts.php/item/1594

30 Horses Killed by SPCA New Zealand

30 horses were killed today by the SPCA at a New Zealand farm because the horses were so neglected they could not be saved, including a colt who saw its mother killed and then was killed later. The man responsible, who owned the horses, is not being charged with any crime. A world where people abuse those who have no voice, is not a world I want to live in.

The Book of Longing and Philip Glass

"A" took me to see the Philip Glass opera "The Book of Longing" (Leonard Cohen) at the Fowler Centre (as part of the NZ International Arts Festival). It was great fun, prior to which Glass made a free appearance at the Town Hall. The place was bulging with people in the aisles, hanging from the walls. Glass entered the small stage looking like a frumpy old man in his rumpled casual attire (but very handsome in black during the show). I took this photo of him from the third row. He sat very still but every time I tried to shoot him, he moved. The New Zealanders wanted him to talk but he said, ask me questions. And so they did.

He talked mostly about working with Leonard Cohen over many years because Cohen was up at Baldy Mountain meditating and he had to wait till he came down, which he did after five years, (because of a woman).

He said English is the hardest language to sing -- too many words end in consonants. He consulted singers David Byrne, Laurie Anderson, Paul Simon and Susan Vega to learn how to use the voice with Cohen's poetry in his opera, which he entitled, "The Book of Longing" The same title of a book of drawings, poems and this and that by the Canadian poet/singer. Glass also said he was really grateful when he asked Cohen about his contribution to the opera and Cohen said, me words, you music.

After the show, I wondered why Glass used professional opera singers when in fact a little of Susan Vega would have been closer to Cohen and maybe give the show a bit of a kick. I said to "A" Patti Smith or Deborah Harry would have been a nice addition to the show. "A" gave it careful thought and then said, "They would have been too expensive." Yeah, I guess so, but everyone wants to go to New Zealand, the other alternative is using people here. There is a strong music scene here.

Motown is everywhere I go

The Four Tops. New World Suupermarket, Willis Street, Wellington.

USA oranges in New Zealand

New World Supermarket, downtown Wellington
From the "i don't get it" file

USA oranges are $3.99/kg, which is less than New Zealand oranges at $4.99/kg.
1 kg = 2.2 pounds.



How does that carbon footprint calculation go again? Some writers from America refused to come here for "Readers and Writers" week, claiming the best thing anyone can do for the planet is not fly. That may be true but it doesn't apply to New Zealanders. The Kiwis have to fly.

So which America, eh?
Sometimes the sign says "USA...oranges" Sometimes it says, "American..."
Why does everyone assume "American" always means USA. It doesn't!! More on this 'americanismizin in new zealand' in a new essay.....April 1 2008.

The Songs of Kurt Weill - a review

New Zealand International Arts Festival.
The ensemble of New Zealand musicians opened with "Mack the Knife." I hate this song, never understood the attraction of singing about a man who slices up people. But then I never heard the song sung in German before by a beautiful woman wearing boots reminiscent of the SS.
Read the full review in Lumiere: http://lumiere.net.nz/reader/arts.php/item/1584

Ruthie Bird & The King of Hearts - Review

Ruthie Bird and the King of Hearts
Written and directed by Ellie Smith
Fringe 2008, BATS Theatre, 29 February - 8th March 2008
photo: courtesy Ellie Smith

"Ruthie Bird and the King of Hearts," may be Ellie Smith's first play but it is a very mature work. Smith, a well-known New Zealand actor and singer brings her theatrical experience to her writing and directing. "Ruthie Bird" is about Ruthie and her son, the King of Hearts who are homeless and living their lives on the street. Two other characters, Ginna, the photographer and Rostyn Kemp, a drugged out sweet talking weirdo weave in and out of their lives.

Read the full review published in The New Zealand Performing Arts and Directory: http://www.theatreview.org.nz/reviews/review.php?id=1307

Zarathustra Said - a Review

Alan Brunton's Death Song
"Zarathustra Said," by Alan Brunton, Directed by Lilicherie McGregor, at Happy, Wellington Fringe Festival, 2008
photo: courtesy Lilicherie McGregor

"Zarathustra Said" began in the dark, the space softly illuminated by candles around small rocks near pillars. Sounds of live music filled the space as three musicians in white suits entered playing their instruments: a clarinet, a horn, and a plastic toy horn. They marched and strutted, followed by three characters: a nymph in white rags who climbed the bar, her face, arms and legs dusted by white clay; next the Master of Ceremonies in a tux and white face with painted red cheeks and bow lips who greeted the audience with a stance as if she could swallow us whole; the Butcher menacing and proud; and walking on her hands a sexy blonde wearing a very short dress. This was just the beginning of "Zarathustra Said."
To read more see full review at New Zealand's Performing Arts & Directory, Theatre Review:
http://www.theatreview.org.nz/reviews/review.php?id=1274

Tama Tu Tama Ora Review

Photo: publicity shot for the Festival (very old photo)
Maori Music from New Zealand International Arts Festival, Feb., 2008
Tama Tu Tama Ora performed popular Maori songs from the 70s, 80s and 90s to an enthusiastic audience, many who were familiar with the songs. In between songs, an MC read from a clipboard facts and dates about Maori history, repeating that the songs are an expression of Maori anger, pride, protest, grief, optimism and hope. I don’t know about the anger part; the musicians looked like they were having far too much fun.
To read more see my review published in The Lumiere Reader: http://lumiere.net.nz/reader/arts.php/item/1540

Newtown Festival and Motown

We were walking down the street when we heard the beat
Man, I can't go anywhere without hearing Motown. The Four Tops' Sugar Pie Honey Bunch was coming in loud and clear and I looked up at the stage and there was a man with a guitar singing my hometown blues, but he was white. Next to him two female singers, backed by the usual rock and roll instruments. They call themselves HEATWAVE, the name of which of course comes from a song by Martha and the Vandellas, a Motown group! They were good so V and I stuck around. The blonde singer introduced the next song by Aretha Franklin, "Think." Aretha was not with Motown but she was from Detroit! I was getting whoozy.

By this point I was so homesick, I just wanted to sit down on the curb and cry. The funny thing is I haven't lived in Detroit since 1981, but here in New Zealand any Detroit reference makes me homesick like crazy.

That's the thing with good music, if you grew up with it, you were lucky because it lives forever. The blonde, who looked to be in her 20's belted out the Motown sound as if she was Cris Clark, the only white chick signed with Motown. She had the hit, "Love's Gone Bad" in the 60's. She was also Barry Gordy's girlfriend; tall blonde, beautiful and she had soul. I guess the Motown sound will never die, people keep performing and recording the songs over and over. I do a mean Love's Gone Bad myself.